WHEN the flush of a newborn sun fell first on Eden's green and gold, | |
Our father Adam sat under the Tree and scratched with a stick in the mold; | |
And the first rude sketch that the world had seen was joy to his mighty heart, | |
Till the Devil whispered behind the leaves: "It's pretty, but is it Art?" | |
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Wherefore he called to his wife and fled to fashion his work anew— | 5 |
The first of his race who cared a fig for the first, most dread review; | |
And he left his lore to the use of his sons—and that was a glorious gain | |
When the Devil chuckled: "Is it Art?" in the ear of the branded Cain. | |
| |
They builded a tower to shiver the sky and wrench the stars apart, | |
Till the Devil grunted behind the bricks: "It's striking, but is it Art?" | 10 |
The stone was dropped by the quarry-side, and the idle derrick swung, | |
While each man talked of the aims of art, and each in an alien tongue. | |
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They fought and they talked in the north and the south, they talked and they fought in the west, | |
Till the waters rose on the jabbering land, and the poor Red Clay had rest— | |
Had rest till the dank blank-canvas dawn when the dove was preened to start, | 15 |
And the Devil bubbled below the keel: "It's human, but is it Art?" | |
| |
The tale is old as the Eden Tree—as new as the new-cut tooth— | |
For each man knows ere his lip-thatch grows he is master of Art and Truth; | |
And each man hears as the twilight nears, to the beat of his dying heart, | |
The Devil drum on the darkened pane: "You did it, but was it Art?" | 20 |
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We have learned to whittle the Eden Tree to the shape of a surplice-peg, | |
We have learned to bottle our parents twain in the yolk of an addled egg, | |
We know that the tail must wag the dog, as the horse is drawn by the cart; | |
But the Devil whoops, as he whooped of old: "It's clever, but is it Art?" | |
| |
When the flicker of London's sun falls faint on the club-room's green and gold, | 25 |
The sons of Adam sit them down and scratch with their pens in the mold— | |
They scratch with their pens in the mold of their graves, and the ink and the anguish start | |
When the Devil mutters behind the leaves: "It's pretty, but is it art?" | |
| |
Now, if we could win to the Eden Tree where the four great rivers flow, | |
And the wreath of Eve is red on the turf as she left it long ago, | 30 |
And if we could come when the sentry slept, and softly scurry through, | |
By the favor of God we might know as much—as our father Adam knew. |
miércoles, 23 de septiembre de 2009
The Conundrum of the Workshops
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